{"id":24113,"date":"2025-07-24T02:15:02","date_gmt":"2025-07-24T02:15:02","guid":{"rendered":"https:\/\/visualartjournal.com\/?p=24113"},"modified":"2025-08-05T02:33:07","modified_gmt":"2025-08-05T02:33:07","slug":"issue-32-july-2025","status":"publish","type":"post","link":"https:\/\/visualartjournal.com\/2025\/07\/24\/issue-32-july-2025\/","title":{"rendered":"Issue #32, July 2025"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"24113\" class=\"elementor elementor-24113\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-d12a9b5 e-flex e-con-boxed e-con e-parent\" data-id=\"d12a9b5\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-28c31a4 elementor-widget elementor-widget-text-editor\" data-id=\"28c31a4\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.21.0 - 22-05-2024 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p><iframe class=\"fp-iframe\" style=\"border: 1px solid lightgray; width: 100%; height: 400px;\" src=\"https:\/\/heyzine.com\/flip-book\/0a3e7f95df.html\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p><p>Hello, dear reader,\u00a0<\/p><p>You are holding Issue 32 of our journal, warmed by the rays of the summer sun (at least if you&#8217;re reading us from the Northern Hemisphere).<\/p><p>Today, I\u2019d like to reflect on what it is that an artist captures: a fleeting moment or eternity. When looking at paintings or photographs, one often marvels at how skillfully the artist has managed to grasp a split second, an emotion, a particular light. How unique that moment was\u2014the one that later found its interpretation on canvas.<\/p><p>At the same time, the line between a moment and eternity can sometimes blur. When observing people, nature, or the cosmos, we begin to realize that what we see might have happened before, and might resonate similarly with us and those who come after us. In this sense, what is depicted is not a second in time, but rather infinity\u2014reflected and reverberating across the ages.<\/p><p>Today, as always, you are invited on an exciting journey into the world of creativity and into the lives of real, sensitive, and deeply feeling individuals.<\/p><p>Enjoy the read!<\/p><p><strong style=\"font-style: inherit; letter-spacing: inherit; text-transform: inherit; text-align: var(--text-align); color: #000000; font-family: 'Cormorant Garamond', sans-serif; font-size: 25px;\"><a href=\"https:\/\/www.peecho.com\/print\/en\/1909930\">Click here to order Print Issue # 32<\/a><\/strong><\/p><p>Showcases the work of 52 artists.<\/p><p><strong>Format:<\/strong> 21 x 29.7 cm (A4), full colour<br \/><strong>Page Count:<\/strong> 120<br \/><strong>Publication Date:\u00a0<\/strong>July 2025<br \/><strong>Printed in The Netherlands<\/strong><\/p><p><strong>Artist interviews:<\/strong><\/p><p>Maksym Vasyliuk, Sofia Arg\u00fcello, Samantha Lim, Emma Shleyger, Kevin Kuenster, Gail Sarasohn, Elena Kiannu, Juleah Claar, Holly Wong, Kevin Zhang, ChengLong Zhang, Ernesto Jos\u00e9 Fern\u00e1ndez Arias, Nataliia Karavan, Amber Wenger, Elias Franziskus Gr\u00fcner, Michael Lemon, KUKI GO (Rub\u00e9n Alejandro G\u00f3mez), Geraldine Leahy, Damien Berdichevsky, Veronica McLaren, Samantha Cherotich Kirui, Gerline Fourie, Jayden Fallis, Jiaqi Pan<\/p><p><strong style=\"font-style: inherit; letter-spacing: inherit; text-transform: inherit; text-align: var(--text-align);\">Artist Features:<\/strong><\/p><p>Marian Gayk, Guzel Min, Jorge Escalante Vinces, Eva Oleandr, Dr. Suzan Ibrahim, Valentina Pulvirenti, Weronika Tla\u0142ka, Maria Pignatelli, \u00c9ric Lafargue, Farnaz Ferdows, Gilles Petit-Gats, Hanna Gelwix, Octavia Walker, Layla Chartier, Hande Uzun, Kerstin Kary, Maxi Tabea, Alice Ricchini, Lawrence Kyere, Karpocheva Julia, Fran Weinberg, Gosia Koniniec, Brittney Francis, Mazok Tatyana, Dr. Shangal Hassan, Daniela Ciriello, Boriana Marinova, Emilija Savi\u0107<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Hello, dear reader,\u00a0 You are holding Issue 32 of our journal, warmed by the rays of the summer sun (at least if you&#8217;re reading us from the Northern Hemisphere). Today, I\u2019d like to reflect on what it is that an artist captures: a fleeting moment or eternity. When looking at paintings or photographs, one often [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[92],"tags":[],"class_list":["post-24113","post","type-post","status-publish","format-standard","hentry","category-art-magazines"],"_links":{"self":[{"href":"https:\/\/visualartjournal.com\/wp-json\/wp\/v2\/posts\/24113","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/visualartjournal.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/visualartjournal.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/visualartjournal.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/visualartjournal.com\/wp-json\/wp\/v2\/comments?post=24113"}],"version-history":[{"count":7,"href":"https:\/\/visualartjournal.com\/wp-json\/wp\/v2\/posts\/24113\/revisions"}],"predecessor-version":[{"id":24729,"href":"https:\/\/visualartjournal.com\/wp-json\/wp\/v2\/posts\/24113\/revisions\/24729"}],"wp:attachment":[{"href":"https:\/\/visualartjournal.com\/wp-json\/wp\/v2\/media?parent=24113"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/visualartjournal.com\/wp-json\/wp\/v2\/categories?post=24113"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/visualartjournal.com\/wp-json\/wp\/v2\/tags?post=24113"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}